Pamela Jordan
has extensive life experience.
She made the courageous move to leave the corporate world
(being an academic music degree qualified musician and experienced educator) and
trusted herself to find her way to a satisfying life.
Now she walks alongside others making courageous transitions, and
showing them heart centred spiritual transformative principles to make a better life for themselves.
She lives the extraordinary benefits of a brave thinking mindset and a vision driven life.
In her personal life now, she is a creative with freedom to make the music and the stories as she chooses or that come to her for expression.
Her background includes
The search for wholistic wellbeing.
Doing things that push out her fear boundaries (eg abseiling and Outward Bound Program).
Winning a talent quest before 1000 people.
Performing as a musical artist. Being comfortable out the front as a speaker and ‘holding’ a room.
Building her divine connection.
PTSD. Somatic trauma awareness and release, being bullied then bully-proof, and becoming the wounded healer.
Ancient and esoteric philosophies (ancient wisdom for modern wellbeing eg astrology and numerology).
The power of knowing your ancestry and ‘what you are made of’, and
how to bring these into your everyday life in a useful, practical way for more confidence and wellbeing.
I knuckled down and did the rigorous work to become proficient at an advanced level in playing two musical instruments.
I achieved a completely rigorous 4 year academic music degree.
Over at least 10 years I worked on effective communication in my personal and professional life.
There is probably more…
Now in my late 60’s, I’ve earned time to do what I love, and I am!
Pamela is an accomplished experienced articulate teacher mentor guide
who listens to you deeply,
is highly intuitive,
explains things simply, until you understand and
easily weaves your session based on what is right for you.
You are the highest authority on you!


Pamela receives great spiritual nourishment from
attending concert performances of the Australian Chamber Orchestra at the Sydney Opera House.
“It is a kind of church for me” she says “I donate consistently”.
I acknowledge the traditional custodians of the land on which I work
the Gadigal people of the Eora Nation
as well as the many lands on which I perform.
I honour their elders both past and present,
and extend that respect to all Aboriginal and Torres Strait Islander peoples.